7 Best Taylor Acoustic Guitars (2023) From budget to top of the line!

Since 1974, Taylor Guitars has been a true innovator in the world of acoustic instruments. They’ve shaken things up with new technologies and gorgeous designs, paired with high end craftsmanship and a commitment to producing the best guitars possible.

They were once seen as purely an elite brand, with high cost guitars tailored to pro players, but this isn’t the case anymore. Since they opened their Mexican factory, they have been able to produce a range of incredible, and affordable guitars for players of all abilities, alongside their flagship US made models.

In this KillerGuitarRigs Review, we’ll be looking at the 7 best Taylor acoustic guitars on the market. We’ve picked our favorites from all across the price spectrum, and thrown in a few different body styles to ensure that there are options for everyone. 

If you’ve been looking for a new Taylor guitar, make sure you keep on reading!

Our Top Picks for Best Taylor Acoustic Guitars

For our top pick, we went with the Taylor American Dream AD17. This is a versatile guitar that looks amazing, and perfectly captures the archetypal Taylor tone, while still remaining attainably priced.

Price focused shoppers should definitely check out our best value option, the Taylor Baby Taylor BT1. Unlike similar models from competitive brands, it comes with a solid Sitka spruce top, and it’s just an absolute joy to play.

If you’re looking for the very best Taylor guitar, we’d highly recommend our Editor’s Choice – the Taylor K14ce. This is a high end guitar guaranteed to keep the most discerning players happy. It looks and sounds amazing, and is definitely an heirloom quality instrument.

Best Taylor Acoustic Guitar Reviews

Top Pick

Superb tones and classic Taylor playability at a great price.

This guitar represents the most affordable way to get your hands on a brand New US made Taylor. This all - solid wood model is beautifully made, and sings like any good Taylor should, all while remaining attainably priced for amateurs and working musicians alike.

The Taylor American Dream AD17 has one of Taylor’s newer body shapes; the “Grand Pacific”. It’s a slope shoulder dreadnought design (much like the Gibson 45 style), and it looks, sounds, and feels great.

It had a solid spruce top with solid ovangkol back and sides. With the American dream series, Taylor put more focus on the tones and performance by using less expensive cuts of solid woods rather than laminates, and the difference is absolutely noticeable.

One of Taylor’s signature features is having a slim, fast neck, and the ADI7 definitely lived up to this. We found its mahogany neck to be extremely comfortable, and the thin satin finish on the back was the icing on the cake. The fretboard was eucalyptus wood, which isn’t common on guitars, but we wouldn’t be surprised if that changes soon. It looked and felt a lot like ebony, but at a fraction of the cost.

Fretwork was another area in which this guitar excelled. Everything was beautifully finished, with well beveled edges, and glassy smooth crowns.

Tonally, it had the typical Taylor brightness, without excessive sharpness. In fact, it sounded like a more well broken in model right out of the box – an impressive feat considering that this is an entry level US made model.

It had great note definition and separation, so even though it had a powerful bottom end, there wasn’t even a hint of muddiness.

Despite this guitar sitting around the middle of the Taylor lineup as a whole, it was still very nicely appointed. The sealed gear Taylor tuning machines performed Very well, making fine tuning extremely simple. It had a black Tusq nut, which contributed in a big way to the excellent tuning stability, and it even came with a Taylor AeroCase travel bag.

Verdict: The Taylor American Dream AD17 really was a dream to play. The slope shouldered body was comfortable to hold, and its V class bracing ensured massive punch and presence. It was bright, airy, and resonant, and would be at home in any studio or on any stage.

Best Budget

Affordable, tons of fun, and surprisingly versatile.

This is a fantastic guitar for a multitude of purposes; from couch strumming to jet setting, from campfires to cookouts, it does it all. Its compact size and superb fit and finish also make it a great choice for younger and smaller players to learn on a quality guitar.

The Taylor Baby Taylor BT1 is a 3/4 size model with a dreadnought body. It’s an incredibly comfortable player and because of the dreadnought body shape it offers incredible projection considering the size of the guitar.

It was built with a solid Sitka spruce top (as opposed to the mahogany on the Taylor BT2), And laminated walnut back and sides. We love this combination of woods, Especially when paired with the dreadnought style body.

The Maple neck felt a lot like that of an electric guitar. It was slim, fast, and very comfortable for a wide range of players, from the very youngest through to adult guitarists. Even though this is the cheapest guitar that Taylor makes, it still had an ebony fretboard, which we found to be absolutely phenomenal. It felt great and really popped against the light wood of the top. The fretwork was well executed too, there were no sharps or any Other flaws, and everything was properly leveled.

Thanks to the solid Sitka spruce top, the tones were bright and exceptionally punchy. The small body kept everything tight, with a lovely shimmery top end and strong mid range focus. The reduced body size also cut down on some of the booming bass you normally find in dreadnought style guitars, and this we feel, made it a great recording companion, too.

Tuning stability was superb. The tuners themselves really did help, as did the use of quality strings – unlike many guitars at this price point, The BT1 Came with Elixir Nanoweb coated strings, which are some of our absolute favorites. remarkably, it even came with a nice gig bag, again something not often found at this price point.

Verdict: the Taylor Baby Taylor BT1 was so much fun to play. It reminded us that great guitars don’t have to cost a lot of money, And nor do they need a ton of embellishments. It followed a simple formula of quality woods and solid construction, And the result is a wonderful guitar players of all ages can use and appreciate.

Editor's Choice

A perfect blend of technology and world class craftsmanship.

This flagship model represents the kind of guitars that Taylor can make when their luthiers are given more of a hand in the process. It's one of the most magnificent sounding guitars on the market thanks to its use of the finest woods and the meticulous attention to detail that has gone into the construction.

The Taylor K14ce comes in what is arguably Taylor’s best body shape – the Grand Auditorium. It’s comfortable, it has some of the sweetest tones you’ll ever hear.

The body was made with some of the most spectacular woods we’ve ever seen. It had a torrefied Sitka Spruce top and Some truly exceptional Hawaiian koa on the back and sides. With the torrefaction process, the top had a fantastic “Old guitar” tone that took any harsh overtones usually associated with bright guitars out of the picture right from the factory.

It had a tropical mahogany neck with a fantastically ergonomic feel. It was a little thicker than the average Taylor profile, but it worked so well with the additional comfort afforded by the reshaped Venetian cutaway. The fretwork was all immaculate, too, with fantastic edges and slick crowns that played like butter.

The use of ebony throughout was another impressive feature. We particularly loved the West African ebony fretboard, and the binding was simply stunning.

If you want a premium guitar with the most articulate, well balanced, and finely nuanced tones you have to check out the k14 ce builders edition. It uses V class bracing, and as promised, it delivered insane resonance and sustain. The balance of tones from the aged spruce and the koa was nothing short of magical.it had a strong midrange and a top end that sliced through any mix.

We could go on ad nauseam about the construction quality of this guitar. Taylor has truly thrown everything they have towards making this one of the most playable acoustic guitars on the market. From the beveled edges to the Graphite nut, and Gotoh tuning machines, the synergistic approach to the build was tangible.

Players who enjoy plugging directly into an amp will love the Taylor System 2 Electronics. This setup had a 3 stage pickup that gave us a tone that was almost indistinguishable from the unplugged guitar.

Verdict: The Taylor K14ce is one of those special guitars that really captures the essence of a brand. Taylor might not have the history of companies like Martin, but it’s guitars like this that have allowed them to be held in the same regard.it was amazing to hold and play, and the tones were out of this world.

Also Consider

So much more than a compact travel guitar.

Don't be fooled into looking at this guitar as just a travel model, or a kids instrument - far from it! While its compact dimensions may make It appealing for those demographics, this is still a strong performer That can satisfy the needs of amateurs and gigging musicians alike.

The Taylor GS Mini e is just slightly smaller than a 15/16 size guitar, and it makes use of Taylor’s phenomenal GS, or, grand symphony body shape. Even for a large adult guitarist, we found that it was extremely comfortable, and of course, it’s a great fit for younger players too.

Our test model had a solid Sitka spruce top, and a stunning book matched Rosewood back and sides. Thanks to Its X brace construction, It had the punch and presence of a much larger guitar, further increasing the usability for working musicians and those playing to an audience. It was incredibly responsive and overall a lot of fun to play.

The neck had an exclusive GS Mini style profile made from solid maple. Unfortunately, it was perhaps slightly too thin for an acoustic guitar and players with larger hands might find Barre chords uncomfortable. Although if you’re looking for something to use for a lot of lead work guitar is deadly in the right hands.

It had an ebony bridge and an ebony fretboard, both of which looked fantastic and performed just as well. Fretboard is dense, hard and felt excellent under the fingers.

Something to note is there is also a Taylor GS Mini Mahogony model – check out our full review here.

We loved the tonal profile of this guitar. The small body kept everything tight, and yet, it still had the volume and presence of a much larger guitar. In and of itself, this was a very neat trick. Tones were more prominent in the mids and upper mids, which helped keep the GS mini just slicing through any mix we put it in.

The electronics were a custom set up from Taylor; the ES-B expression system. It made use of 2 piezo transducers to deliver a rich, natural acoustic sound. Using just 2 x 3v lithium batteries the system can operate for up to 300 hours, which makes it one of the most efficient pick up systems in any acoustic guitar.

We did like the Taylor branded Sealed gear tuning machines. They moved without any excess play or wobble, which made fine-tuning nice and easy, and at the same time they held firm during several hours of play for excellent tuning stability.

Verdict: The Taylor GS Mini e really was a wonderful guitar in many ways. The tones were excellent, and for lead guitarists, playability was absolutely fantastic. Whether you’re a new player looking for a high end beginner instrument, or a seasoned pro looking for something portable that is more than a tour bus strummer, this is your guitar.

Also Consider

Perhaps the ultimate student grade strummer.

While this Taylor was technically designed as a student grade instrument, it’s also an affordable path to a full size guitar from this storied brand. It cuts back on some of the fancier appointments you might find on higher end models, but believe us when we say this is playability defined.

The Taylor Academy 10 is a very plain looking guitar, make no mistake about it. There’s no binding, no real inlay, no pick guard, and only a very basic rosette. It had a traditional dreadnought style body, with a classic combo of Solid Sitka spruce on the top, and layered sapele on the back and sides.

Even though this is technically a no-frills model, it did still come with a carved armrest on the top, which was a hugely beneficial feature, and added significantly to the overall playability on what is usually considered to be one of the more uncomfortable body styles.

It had a maple neck, which we found to be slim and very forgiving, especially during longer periods of play. Amazingly, even though this is an entry level model, it still came with an ebony fretboard, a wood usually reserved for high end models. We very much enjoyed both the look and feel, and we were equally impressed with the quality of the fretwork.

One thing that did let it down somewhat was excessive brightness in the tones. Because it has a solid top, this might mellow with age, but it was really apparent when being compared against guitars with torrefied tops. Being a dreadnought, it was very loud, with cannon-like projection, and great presence.

Intonation was accurate up and down the whole neck, and it performed extremely well when it came to Tuning stability. Even after several hours of use, it didn’t need Any adjustment.

Verdict: The Taylor Academy 10 is definitely a great choice for players who love bright sounding guitars. The tones weren’t quite as complex as you’d find on a guitar with an aged or torrefied top, But considering this is intended as a student grade instrument, albeit a high end student instrument, it more than gets the job done.

Also Consider

Exceptional comfort with great tone and sleek lines.

Despite having premium woods used throughout, high end Electronics, and some tasteful embellishments, this Taylor is still attainable priced for many players and offers the kind of playability that most come to expect from this brand. It’s a great partner for performing, recording, or simply strumming at home.

The Taylor 214ce Is a real performer, and brings the look of a more high-end model at a more palatable price. This is a grand auditorium model, one of Taylor‘s signature shapes, offering improved comfort and playability versus a traditional dreadnought, without losing the power and projection. This particular model had a Venetian cutaway for improved access to the upper frets, too.

The body was made with a perfect pairing of solid Sitka spruce on the top, and Indian Rosewood on the sides and back. It was responsive, and of course the Rosewood looked fantastic.

We did like the neck; it was made with tropical mahogany and had a typical, slim Taylor profile. It played fast and was comfortable from top to bottom. As we’ve found with many Taylor guitars, it also had a west African ebony fretboard – Ebony is of course one of the very best materials to use for this purpose due to its hardness, and of course its fantastic looks.

Thanks to the grand auditorium shape and sitka spruce/rosewood combo it had tons of presence and character, and the grand auditorium shape made it deceptively loud. The curved lines make it seem smaller than a dreadnought, however in terms of real estate on the top it’s only fractionally smaller, so we found that it gained a lot in terms of comfort, while not really sacrificing anything.

At the top end this guitar had tons of sizzle, with a relatively prominent mid range, and a meaty bottom end. We loved it when fingerpicking, but we did find it just a touch muddy with aggressive strumming.

If you’re planning to play through an amplifier, the 214CE came with Taylor’s excellent ES2 Electronics. If you’re a fan of slick lines on your guitar, you’ll enjoy the three discreet control knobs. However, we noted that they can be difficult to use, especially in darker conditions As they are not labeled.

It came with a number of embellishments that helped it stand out from other similarly priced tailor models, including white binding on the top and bottom of the body, And a very nice tortoiseshell Pickguard. We were very happy with the overall build quality, the neck was good and straight, It was well intonated and Taylor has used quality hardware throughout. For more, check out our full review of this guitar.

Verdict: the Taylor 214ce really is a great choice for a number of players. It’s a capable performer for those looking to play shows or record, and it makes an incredible intermediate level guitar for those looking to upgrade to something special from their first acoustic. It plays well, offers a lot of great tones, and even comes with a premium gig bag.

Also Consider

A compact comfortable body, and a slim neck make this guitar a fingerpicker’s dream.

Taylor really excels when it comes to making great quality, Stripped back guitars that put the emphasis on the player and the tones rather than flashy accessories and details. It  combines classic design with modern engineering, which adds up to a sweet sounding, guitar that’s comfortable and built to last.

The Taylor Academy 12 is another model in Taylor’s student grade lineup, and Subsequently offers simple, yet elegant styling. It had a Grand Concert body, which was notably smaller than the Academy 10 dreadnought, making it a great choice for smaller players, or those looking for a more Paula guitar type experience.

Construction was on par with all of the Mexican made models in this round up. Everything was properly lined up with great fit and finish, and it’s clear that thought has gone into the selection of woods. 

The top on the Academy 12 was made with solid Sitka spruce, while the back and sides were crafted from layered sapele, Which is a common mahogany substitute, and truthfully a pretty close match in terms of looks and tone. For added comfort, it also had a beveled top, this is something that until recently was only available on high-end US made models, so it was extremely pleasing to see this on an affordable guitar.

One slight criticism that we did have was that due to the smaller and lighter body, it felt more neck heavy than the Academy 10. When playing seated this isn’t much of a problem, but when playing standing, it was quite apparent that it wasn’t as well balanced.

Players transitioning from electric to acoustic guitars will feel right at home with the Maple neck. As far as feel was concerned, it played similarly to a fender modern c profile. In a nutshell, it was very comfortable and had a fantastic thin satin finish. 

It was also treated to an ebony fretboard, and had very nicely dressed frets, with not even a hint of sharpness at any point.

It was a great opportunity getting to test the Academy12 alongside The Academy 10. Both being made with identical words, it was really interesting to get an objective comparison of the tones from each model. The Academy 12 was much better suited to fingerpicking than it was strumming, and rewards players with a light touch. We found the tones to be warm, well-balanced, and articulated with great note separation and nuance.

The chromed Taylor branded tuning machines offered excellent reliability. Once again, this model wowed us with its excellent tuning stability, which was assisted by the NuBone nut, and the elixir nanoweb strings that come standard on this model from the factory.

Verdict: The Taylor Academy 12 Offers exceptional value for those who prefer finger style Playing over strummed rhythm work. The tones were rich and sweet, and Despite having a smaller sized body, it still kept up with some of the larger models in this review in terms of resonance and sustain.

How To Choose the Best Taylor Acoustic Guitar

Shopping for a Taylor acoustic is in most cases, just like shopping for any other acoustic guitar. There are, of course, some Taylor specifics that vary between models and series that you should be on the look out for.

US Vs Mexican Made

Taylor runs just 2 production plants, 1 in El Cajon, California, and the other just 38 miles away in Tecate, Mexico. 

The Mexican made models are the more value oriented guitars in the product range, although, there are still some high end models coming from that factory, made all the more affordable by virtue of the fact that they aren’t made in the USA.

The American made models are made by the brand’s most skilled luthiers, and built to tighter tolerances, explaining the higher price. In addition, the “Made in USA” label also helps a lot with the residual value of the guitar should you ever want to sell it. 

Not all retailers highlight which plant the models they sell came from, so if you aren’t able to see the inner label, the easiest way to tell is to check the series. The American Dream series, and the 300 Series and up are made in the USA. All other models are made in Mexico.

Body Styles 

The other major thing to consider with Taylor guitars is the body style. Taylor makes 5 different body styles, each with distinct tones and playability. 

The GT acoustic is Taylor’s smallest size (excluding Baby Taylor/GS Mini models). It’s known for its portability and tight tones.

The Grand Concert sits in between the GT and the Grand Auditorium as far as body size goes, but it still offers a full length scale. This is a dynamic style that suits fingerstyle players well.

The Grand Auditorium is the signature Taylor body shape. It’s well known for its excellent tonal balance, and versatile playability, performing well for both fingerstyle players and rhythm guitarists.

The Grand Symphony style offers huge presence and projection while remaining comfortable and easily playable. It’s a crisp sounding guitar with extremely well defined tones.

Finally, the Dreadnought style has a massive bottom end, and powerful mid range. It’s the loudest in the range, too.

Final Thoughts on the Best Taylor Acoustic Guitars

Taylor has clearly proven that they belong in the same company as the most respected and well established acoustic guitar brands in the world thanks to their constant innovation and exceptional quality. 

To recap our favorites from this incredibly competitive roundup – our top pick was the Taylor American Dream AD17 thanks to its incredible tones and fantastic build quality. Our best value pick was Taylor Baby Taylor BT1 – it gave us premium sound quality and high end features at a phenomenal price. Our Editor’s Choice went to our Favorite model in the entire lineup – the Taylor K14ce – it was a professional grade instrument with effortless playability and the most incredible tones.

Simon Morgan

Simon is an Orlando based musician, but originally hails from Newcastle, England. He started playing bass and guitar in 1998, and and played the local scene throughout his teen years before life got in the way. Favorite Genres: Blues, Classic Rock, and he’s not ashamed to admit - Emo

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